Tuesday, July 15, 2008

UNICEF, Clay Aiken and Somalia's Children: How One Simple Act Can Save the World Entire


Clay Aiken, on his fifth field visit for UNICEF, laughs while surrounded by a group of Somali girls and women


- UNICEF photos by Nick Ysenburg




Whoever saves one life, saves the world entire.
--- The Talmud



UNICEF Ambassador Clay Aiken is continuing his work to promote support for the children of Somalia, following his recent trip to the northwestern region of Somaliland.

In a blog entitled Somalia: Keep spreading the word, Aiken thanks donors for raising $50,000 for Somalia's children in the last six days, and challenges UNICEF supporters to take action in advocating for children.

UNICEF is one of the few humanitarian organizations with an active presence in the war-torn country, acting as a vital lifeline for the innocent victims of war. In a previous blog, Aiken described his visit to UNICEF-supported schools and hospitals, centers where girls learn leadership, life-skills and play sports, and UNICEF-supported maternal and child health clinics that offer nutritional feeding and immunization, programs that save lives and improve the quality of living.

UNICEF has been helping children for over 60 years and has saved more children’s lives than any other organization in the world. We have the history and the experience to overcome obstacles like politics and poverty—even war—which can stand in the way of helping a child survive. While we could never do it alone, we are often the ones who reach children in need after everyone else has given up.
--- From United States Fund for UNICEF


By supporting UNICEF's programs, you can do something to make a difference.

What does it take to save a child?

Give a little, or give a lot. Here are just a few examples of what a few dollars can do:

$1.20, a little more than the price of downloading another song to your iPod, can immunize a woman and her newborn against tetanus.

$17, less than the price of a takeout pizza, can immunize a child against the six major childhood diseases.

$60, the price of the Grand Theft Auto video game, can provide enough vaccine to immunize 60 children against polio.

$200, the price for a mediocre ticket to a playoff game, can buy a large cold box for the transportation of vaccines to remote locations.


What will you do to save a child?

There are three simple things anyone can do to be a part of the solution: ask your family and friends to become involved; encourage them to become informed about UNICEF's work in Somalia, and; ask them to donate to support child survival programs in Somalia.


And remember: education is the key to ending the cycle.

$3 can provide a child with a pencil, paper pad and a pen to use in the classroom.

$16 can buy a double-sided chalkboard for classroom or outdoor use.

$176 can buy one school-in-a-box kit—a ready-made educational solution packed in a lockable metal box, containing equipment for 80 students such as pencils, erasers, exercise books, writing slates, scissors and carrier bags.
--- US Fund for UNICEF


Act now to save a life and together, one by one, we can save the world entire.














For more information on UNICEF's lifesaving work in Somalia, go to:

US Fund for UNICEF - links to articles by search

UNICEF.org - Somalia country page at international site

UNICEF Somalia - dedicated website



A selection of featured articles from UNICEF:

Protection of Children Is Critical Amid Escalating Conflict in Somalia

Volunteer-Staffed Health Center Helps Save Lives in Baidoa, Somalia

UNICEF Seeks Emergency Support for Somalia’s Undernourished Children

Temporary schools bring a sense of normalcy to young Somalis displaced by conflict


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Wednesday, July 09, 2008

Turning Outrage into Action: Clay Aiken, UNICEF and the Children of Somalia

















Clay Aiken laughs with children he met on a UNICEF field visit to northwest Somalia.

Photo by Nick Ysenburg, US Fund for UNICEF




BREAKING NEWS:

UNICEF Ambassador Clay Aiken has blogged about his recent visit to Somalia in a UNICEF FieldNote entitled "Where is the outrage?"

Somalia, a country of ten million located in the Horn of Africa, has been torn asunder by civil war for seventeen years. With no central government and few safe havens for those caught up in the conflict, it has been completely destabilized. Children, the most vulnerable, are among those most affected by these conditions.

Is that reason enough to be outraged?

Aiken says, in part:

...the lack of a permanent central government has contributed to Somalia's status as one of the poorest and most volatile countries in the world. Decades of civil conflict have shattered social structures and exacerbated poverty.

In such conditions—combined with an extremely arid environment and difficult terrain with settlements scattered over vast distances—a Somali child's chances of surviving to adulthood are among the lowest of children anywhere in the world.


One in every eight children do not survive to their fifth birthday, one of the highest rates of death among children in the world.

One in eight.

Is that reason enough to be outraged?

Major infectious diseases are rampant, contributing to a life expectancy of less than fifty years. There is a "very high" risk of food or waterborne diseases: bacterial and protozoal diarrhea, hepatitis A and E, and typhoid fever, and "high risks" of malaria and dengue fever. (Source: CBS News)

Nearly all of these conditions are preventable with sources of safe water, proper hygiene and improved nutrition, as well as medicines and vaccines that are readily available in the western world. Yet people, especially children, continue to die.

Is that reason enough to be outraged?

To make matters worse, aid workers and activists who are on the ground in Somalia working to improve people's lives are being targeted by insurgents, kidnapped and murdered. Many humanitarian aid organizations have been forced to withdraw from the country, but UNICEF is still there, serving the people of Somalia since 1972, at great risk to their own lives and safety. In the last few days alone, the chief of the Somalia office for the United Nations Development Program was shot dead, a fourth driver for the World Food Program was killed and a prominent Somali peace activist as murdered as he left morning prayer. (Source: AllAfrica.com)

Is that reason enough to be outraged?

Somaliland, the region of the country Aiken visited, is relatively safe when compared to the utter chaos that reigns throughout most of the country, and it is there where the success of UNICEF programs is most apparent. Aiken describes his visit to UNICEF-supported schools and hospitals, centers where girls learn leadership, life-skills and play sports, and UNICEF-supported maternal and child health clinics that offer nutritional feeding and immunization. These programs save lives.

Is that reason enough to turn outrage into action?

Go to the US Fund for UNICEF and read Clay Aiken's Somalia blog, "Where is the outrage?"

Then DONATE to support UNICEF's child survival programs in Somalia.

These UNICEF programs have been proven to be effective. They need to be supported and children need to survive while the monumental task of bringing peace to Somalia continues. If the children don't survive, what future does Somalia have?

Take action.






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Saturday, July 05, 2008

CNN's ‘The Survival Project’ spotlights UNICEF saving children's lives
















Every day, 26,000 children die of preventable causes.

Now you have a chance to help save them.


Please watch "The Survival Project: One Child at a Time," a historic global broadcast on CNN and CNN International, airing on television worldwide this Sunday, July 6, at 8 and 11 pm (Eastern Time in North America; check your local listings.)

The special global broadcast will feature UNICEF at work to protect and support children, highlighting projects in Laos, Iraq, Ethiopia and Peru.

Dr. Sanjay Gupta, CNN's chief medical correspondent, will host the program, which will explore “the challenges faced by children around the world and will offer viewers an opportunity to effect helpful change,” according to Sue Bunda, Executive Vice President of Content Development and Strategy for CNN Worldwide.

UNICEF Goodwill Ambassadors Lucy Liu, Clay Aiken and Marcus Samuelsson will take part in the program.






Clay Aiken, singer and entertainer, is a proponent for education for all. He is seen here on a recent trip to Somalia.









Lucy Liu, actress and artist, is shown with children in Pakistan. She supports HIV/AIDS awareness and education programs.













Marcus Samuelsson, gourmet chef, is spokesman for the TAP Project, helping to make clean water available for all.


Photos: UNICEF


Celebrity volunteers appearing will be Joel Madden, Nicole Richie, and Al Roker.

Video diaries of several UNICEF ambassadors and celebrity volunteers will air, showing their work in the field and encouraging viewers to join the fight for child survival.

In addition to field reports from CNN correspondents, the broadcast includes a panel of volunteers and experts speaking about their experiences with UNICEF.

UNICEF has been helping children for over 60 years and has saved more children’s lives than any other organization in the world, helping to reduce child mortality to a record low by providing lifesaving help for children in need. UNICEF is in the field, every moment of every day, working for children.

Tune in to see how you can make a difference for children.

Every one of us can do something to help save the life of a child.

Please act now.

Donate

Volunteer

Sign the Pledge

Find out more at:

US Fund for UNICEF
UNICEF National Committee of Canada
UNICEF International

CNN "Survival Project" Information page










CNN Chief Medical Correspondent Dr. Sanjay Gupta, with children in Lima, Peru.





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Wednesday, July 02, 2008

Clay Aiken Visits Somalia for UNICEF

Breaking News:

UNICEF Image
UNICEF USA Ambassador Clay Aiken talks to Rahma, 9, during a visit to the Somaliland Cultural and Sports Association in Hargeisa, North West Somalia. - UNICEF photo


UNICEF



"NAIROBI, Kenya, 2 July 2008 – During a five-day visit to the self-declared republic of Somaliland in north-west Somalia, UNICEF USA Ambassador Clay Aiken was moved by the work that UNICEF is doing under challenging circumstances." - Source, UNICEF.org

Aiken visited Hargeisa, Gabiley and Boroma in the northwest to witness UNICEF-supported projects in action, including programs to improve children's health, provide safe water, sanitation and hygiene, make primary education available to all, protect children and empower girls.

The American entertainer and UNICEF Ambassador, who is completing his fifth field mission, says,
In a country that’s better known for conflict, insecurity, drought and floods,it’s truly remarkable that UNICEF is still able to make a difference to the health, education and well-being of Somali children.


In Somalia, less than twenty-five percent of the population has access to basic health services and under thirty percent of children receive a primary education --- a particular concern for Aiken, a former teacher.

The country has been torn by war for nearly two decades. Due to this civil unrest, there is little effective infrastructure, and children face malnutrition, threats to health including polio and cholera, a lack of education, and random violence, among other catastrophic circumstances. Despite threats of violence to humanitarian workers, UNICEF remains in the country, responding to these acute needs.

This is Aiken's second trip to the African continent for UNICEF. In 2005, he visited Uganda to observe programs for children who have been forced to flee their homes to avoid abduction by rebel forces, and spoke with former child soldiers who are being reintegrated into Ugandan society. He has also visited Indonesia following the tsumani, observed education programs in post-Taliban Afghanistan and spent Christmas with flood victims following last winter's storms in Mexico.

Aiken continues,
Somali families want the best for their children and people really want to help bring about change. Fortunately, UNICEF has always been there and continues to provide the support needed to make a difference.


This blog will carry further information on Aiken's trip, along with information on fundraisers to assist the children of Somalia, as details develop.

To find out more about helping the world's children, visit US Fund for UNICEF.


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Wednesday, June 25, 2008

Clay Aiken Appeals for Support for Children of Somalia

BREAKING NEWS:

UNICEF Ambassador Clay Aiken has asked the world to remember Somalia, where war and famine have combined to cause one of the world's worst humanitarian crises.

In a story reported by Reuters, Aiken says there has been scant U.S. and international attention to Somalia since a failed military intervention a decade and a half ago.

Aiken, an American pop singer and UN Goodwill Ambassador currently visiting the Somaliland region of the country, says:

There hasn't been much discussion of Somalia since the early 1990s in the U.S. The American population kind of got a bad taste of Somalia in the early 90's and hasn't really had much interest in the country since.


Somalia has been torn by civil war for nearly twenty years, with problems exacerbated by continued insurgency against an unstable central government.

Aiken has been on previous UNICEF field missions to observe rebuilding following the tsunami in Indonesia, to talk with children in IDP camps and UNICEF centers who had been forced to flee from rebel forces in Northern Uganda, to Afghanistan to witness education programs for girls and women in the post-Taliban era, and to Chiapas, Mexico, to visit survivors of devastating floods late last year.

He continues:

It's the most dangerous place for a child to be. In the lower part of the country, southern part, I feel it's a more desperate situation than any place we've ever been."


More information as it becomes available, along with links to a UNICEF in Somalia fundraising campaign currently being developed.

US Fund for UNICEF

From UNICEF Somalia:

Somalia remains volatile, beset by internal political crisis and conflict, a country severely affected by the repercussions of more than ten years of war, economic decline and destruction. Already one of the poorest countries in the world at the onset of the nineties, conditions of extreme poverty now largely prevail, with very few services and grave health risks experienced by the most vulnerable groups, children and women.








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Saturday, June 21, 2008

Continuing Down The Pandora Path On My Way Here - Part 2


If you're new to the fabulous concept of Pandora Radio, you can read about it in the first part of my exploration here Pandora Path to On My Way Here. I could have spent days just exploring the 3 songs I started my radio stations at Pandora with and enjoying the new artists I was fortunate to find. I've already downloaded the entire Freezer Door album from iTunes and checked out their myspace . I bought some Johnathan Rice and after listening to more songs on his Myspace, I went back to iTunes and bought more.

But I had such a blast I couldn't wait to continue my journey with Part 2 - and chose to work with 3 new songs: Falling, Where I Draw The Line and Ashes.

FALLING

Features include:

electric rock instrumentation
a subtle use of vocal harmony
minor key tonality
electric rhythm guitars
acoustic rhythm guitars
prominent percussion

First up is Parlor by Kent – a Swedish group of the 1990s. Has the same electric rock instrumentation and subtle use of vocal harmony and the minor key tonality. Thumbs up and a chance to learn more about Kent.

Hooked Up by Minibar shows up next. This song is listed as a similar song to Falling by Clay Aiken and it’s no surprise that I liked it a lot and also that I grabbed it from iTunes. Interesting band, originally from UK and relocated to California in 1999 – they have a distinctly American sound – hook-ridden poppy songs and very cool – similarities to Falling are the electric rock instrumentation; subtle use of vocal harmony, acoustic rhythm guitar, minor key tonality, plus electric guitar riffs. Their Minibar Myspace is a great place to hear more music and learn a bit about them.

Another song listed as similar to Falling comes up next -- Lighnin In A Bottle by Adlin & Appleford. Features include:
electric rock instrumentation
country influences
a subtle use of vocal harmony
minor key tonality
a prominent harmonica part
a prominent mandolin part
acoustic rhythm guitars
prominent percussion

I actually like this country influence with terrific harmonic riffs. Thumbs up for sure.

What I find so interesting is the connection to a lot of alt/indie/country sounds I'm getting with Clay's Falling. I'm really hoping that those listeners who are getting Clay's song when they take their journey from the other end are actually giving it a chance and listening. They may discover his music the way I'm discovering new artists to me.

Hero's Welcome by Lodger is next and while I can’t figure out why – I just don’t care for the lead singer's voice. Listened for a minute or so and then thumbs down.

Where I Draw The Line by Clay Aiken is next. With features like:
subtle use of vocal harmony, minor vocal tonality, electric rhythm guitar, prominent percussion, plus acoustic rhythm piano and mild rhythm syncopation.
And thumbs up for me for sure! Interesting connection to Falling and it was a treat to hear it pop up unexpectedly.

Love this song up next by an Austin, TX group called Palaxy Tracks is Camera which has much of the same features but an addition of mellow rock instrumentation and intricate melodic phrasing. And I like it a lot so off to iTunes to buy it.

Death Cab For Cutie happens to be one of my favorite indie groups and Soul Meets Body from their Plan Album is up next – which again has the minor vocal tonality and subtle use of vocal harmony and acoustic rhythm guitars – plus the addition of subtle use of strings. This is already on my iPod so it definitely gets a thumbs up.

Alice Cooper’s Pick Up The Bones is next and his voice grates so just not interested. Blue Jean by The Cloud Room comes up after that and again, it just doesn’t seem to be moving me in the direction I want to go so thumbs down.

Back on track with Ring On by Soft which then leads me to

Last GoodbyeThe Gufs another group I've never heard of and am glad to discover.

pop rock qualities
a subtle use of vocal harmony
mild rhythmic syncopation
repetitive melodic phrasing
minor key tonality
groove based composition
electric guitar riffs
acoustic rhythm guitars
prominent percussion

Lots similar to Falling and I definitely like it. From their Holiday From You 1999 album. Bought it on iTunes and I’ll stop back and pick up a few more tracks I’m sure. Milwaukee band – have toured with Rob Thomas. Why don’t I know about them? Seven years since their last album they are recording again. They’re great! Thanks Pandora. And a great place to end this path for now . . . I’ll definitely be back.

WHERE I DRAW THE LINE

a subtle use of vocal harmony
mild rhythmic syncopation
acoustic rhythm piano
minor key tonality
electric rhythm guitars
acoustic rhythm guitars
prominent percussion


First song Pandora plays is Amy Grant's live performance of Eye To Eye with many of the same features as WIDTL - but also the addition of:
basic rock song structures
acoustic rhythm piano
mixed acoustic and electric instrumentation
a prominent flute part
romantic lyrics

and it gets a thumbs up from me.

Once again, I'm hearing an artist I never heard before -- Jesse Malin singing Love Streams. Interesting background on the artist, Jesse Malin, and since they say "His love for Neil Young, Tom Waits, and Steve Earle affected his work" and those are three of my favorites - it's no surprise that I really like this. Once again, it's too easy to buy stuff from iTunes and I'm hitting my account a lot!!!

I'm veering a bit too country with the next song, Witching Hour by Austin Collins. Many people have said they hear a country-crossover possibility for Where I Draw The Line - and obviously so does Pandora as they are definitely giving me songs with country influences. And this song lists Where I Draw The Line as a similar song in their About The Song section. I'm enjoying this even though it's probably more country than I want to go - but I play it through with a thumbs up to see where I'm taken next.

Surprising, next song isn't anywhere near as country but it's definitely good -- Flaming Wreck by Pernice Brothers. There's a little bit of Colin Blunstone of The Zombies in the vocals of lead singer, Joe Pernice, and as a huge Zombies fan - that's a good thing!

And after that - Falling shows up and boy does that sound great. What a terrific radio station this is turning into and of course, ending it with Falling is a great way to move on to Ashes. I'll definitely be back to see what else Where I Draw The Line brings me.

ASHES

Features are:
electric rock instrumentation
country influences
a subtle use of vocal harmony
major key tonality
electric rhythm guitars
acoustic rhythm guitars
prominent percussion
romantic lyrics

I'm curious to see where this takes me - as this has the major key tonality that Falling and Where I Draw The Line do not - and this also has a notation of a "country influence".

First song up is Switchfoot's Dare You To Move – which is a kind of sweeping anthem that’s pretty good from Switchfoot and it has a great bass – so thumbs up.

Carry You by Jimmy Eats World is next and this definitely gets a thumbs up from me, plus a trip to iTunes for the download and a visit to their Myspace. I remember hearing Jimmy Eat World in the late 1990s and early 2000s - a lot of people did. But lost track and hadn't really heard anything recent. Which is a shame because they are really good. This is from their 2007 release Chase The Light. I'm glad Pandora reintroduced me to them.

Next up is another Jesse Malin song, On to Tomorrow Night . I already gave him a thumbs up for anther song that showed up in my previous station - and this one is deserving of another trip to iTunes.

Portastic’s You Blank is a change of pace – It started to grow on me the more I listened but just couldn’t get into Mac McCaughan’s voice that much – so decided for now to give it a thumbs down and see where I go next --- which was to David Mead. I like him and find Make It Right really catchy. It’s a great little pop song – unaffected vocals and good mix of mixed acoustic and electric instrumentation. And, according toDavid's Myspace, he's a Brooklyn boy - so definite thumbs up!

My next song is It’s the Only One You’ve Got by 3 Doors Down . Wow - I really love this song – great guitar riffs and lyrics. I've head their single, It's Not My Time and liked it - but I really love Only One You've Got. It's got a gutsy, rousing feel to it that I think is actually very similar to Ashes. I went and got the whole self-titled album from iTunes.

Jack Ingram’s What Makes You Say brings in a bit of the country influence but I’m not getting into it so I click on thumbs down.

Perfumed Letter by Bill Mallonee is next and again, someone I’ve never heard of, but a song I really like. Lyrically interesting and has a bit of the British invasion feel to it in the slightly psychedic feel to the music. Perfumed Letter is a 2003 release - but I went to his MySpace to hear his more recent stuff. I can't believe he's released 25 albums and I'm only just hearing him.

Golden Smog with Can’t Even Tie Your Own Shoes and another one that gets thumbs up followed by Replay by All Our Good Friends . This is a bit too “precious” for me - doesn’t have the drive I’m looking for so I hit thumbs down and take a real turn back into a more rock feel with Make Ends Meet with Connor O’Brien . This song is terrific - with great percussion and the addition of a wah wah pedal. Big thumbs up and a trip to iTunes.

Jimmy Eat World is back with Chase This Light and some new features like the introduction of "folk influences” and” a good dose of acoustic guitar pickin'”. Great energy and huge chorus and and a thumbs up for sure. Once again, I've added some great stuff to my iPod, and had a blast doing it.

Ashes, Falling and Where I Draw The Line are 3 of my favorites from Clay's On My Way Here. It's obvious to me that many of the musical features in these songs are what I'm looking for when I gravitate to other music. Supporting a site like Pandora Radio makes a lot of sense. Here's hoping that others are discovering Clay Aiken's new music in the same way.

Part 3 will be coming with Weight Of The World, As Long As We're Here and Sacrificial Love. Should be interesting.

I love hearing about the music you're discovering - so please comment and tell me what you've found that I might have missed!

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Thursday, June 19, 2008

Pandora Path: On My Way Here


Many of the regular readers of ConCLAYve are familiar with my love of the internet radio station Pandora. I've discovered so much wonderful music creating radio stations with seeds of artists like Georgie Fame or Peter Cincotti or from songs like Van Morrison's Moondance. I've also used Pandora to explore Clay Aiken early in his career after Measure of A Man, and then again during the release of A Thousand Different Ways. But I was most excited to see what new music I could find when Pandora included On My Way Here into their database and now I'm having a blast!

For those unfamiliar with Pandora Radio - a brief description is that Pandora radio is the personalized internet radio service that helps you find new music based on your old and current favorites. Here's what they say on their About Pandora page:
About Pandora®

When was the last time you fell in love with a new artist or song?

At Pandora, we have a single mission: To play music you'll love - and nothing else.

. . . Since we started back in 2000, we have been hard at work on the Music Genome Project. It's the most comprehensive analysis of music ever undertaken. Together our team of fifty musician-analysts has been listening to music, one song at a time, studying and collecting literally hundreds of musical details on every song. It takes 20-30 minutes per song to capture all of the little details that give each recording its magical sound - melody, harmony, instrumentation, rhythm, vocals, lyrics ... and more - close to 400 attributes! We continue this work every day to keep up with the incredible flow of great new music coming from studios, stadiums and garages around the country.

With Pandora you can explore this vast trove of music to your heart's content. Just drop the name of one of your favorite songs or artists into Pandora and let the Genome Project go. It will quickly scan its entire world of analyzed music, almost a century of popular recordings - new and old, well known and completely obscure - to find songs with interesting musical similarities to your choice. Then sit back and enjoy as it creates a listening experience full of current and soon-to-be favorite songs for you.

You can create as many "stations" as you want. And you can even refine them. If it's not quite right you can tell it so and it will get better for you.

The Music Genome Project was founded by musicians and music-lovers. We believe in the value of music and have a profound respect for those who create it. We like all kinds of music, from the most obtuse bebop, to the most tripped-out drum n bass, to the simplest catchy pop tune. Our mission is to help you connect with the music YOU like.

What a concept! Music without the labels. Music that's not pushed on the radio only. Music that's not deemed "cool" or "uncool" by bloggers or corporate hacks. And boy have I found music I would never have found without the help of Pandora. And my iPod bulges with stuff I'd never have a chance to hear otherwise.

So imagine how excited I was when I checked and finally On My Way Here showed up in the Music Genome database!!! Now, I love this album and find myself drawn to it almost every day. I'm still constantly discovering new things about each song and my favorites keep changing. But, while there is definitely a consistent theme in this album, the songs themselves range quite a bit in genre for me - so I thought it would be most exciting to discover the different paths each individual song would take me on. Because of that - I'm going to definitely have to break this exploration into a number of different blogs. I'm having too much fun to try to fit it all into one.

I started my first radio station with On My Way Here. I like this song - but it's not in my top five. What I wanted to see, is if it took me on an obscure path or a familiar one - and I wasn't surprised to see that the path it took me on was familiar. This is a Clay Aiken song. It's got some interesting elements that may not appear in other stuff Clay's done - but on the whole it's not much different from what I've heard before when using Clay Aiken as the starting point for a particular radio station. That's not a bad thing - but it was interesting that much of the music I was played was either music I already had in my general Clay Aiken station. Here are the elements of the song that the Music Genome Project came up with:

country influences
acoustic rhythm piano
use of a string ensemble
major key tonality
mixed acoustic and electric instrumentation
a good dose of acoustic guitar pickin'
acoustic rhythm guitars
prominent percussion
romantic lyrics

Next up - Willie Nelson's Always Now. That must have come from the country influence. I like Willie but I'm not a huge country fan so I didn't want to go in that direction. Hated to do that to Willie but I did thumbs down just to see where I went next. That took me to Michael Ball singing You Had Me From Hello. This was too romantic sounding for me - not what I was looking for - so again, I hit thumbs down. The third song they gave me on this path was an artist I had not heard before, David Corey and a song called The Only Thing That Matters. It's sort of a perfect little pop song - nothing breakout but catchy and enjoyable. The features of the song include:
pop rock qualities
a subtle use of vocal harmony
mild rhythmic syncopation
acoustic rhythm piano
mixed acoustic and electric instrumentation
a vocal-centric aesthetic
a clear focus on recording studio production
major key tonality
string section beds
a good dose of acoustic guitar pickin'
prominent use of synth
acoustic rhythm guitars
prominent percussion
romantic lyrics

Thumbs up for me. Next up is Nich Lachey, This I Swear and it's moving into a too romantic and predictable path for me so I hit thumbs down and move on to Bonnie Raitt, My Opening Farewell. I love Bonnie's voice and even though this song isn't my favorite of hers, it's already on my iPod and I click thumbs up.

Hayley Westenra's, What You Never Know Won't Hurt You which adds
folk influences and intricate melodic phrasing
to the mix. I've also got this on my iPod and love her voice. Next up was Run To Me by Clay Aiken. I'd forgotten how much I loved this song on Measure of a Man. The elements of the song that were new in this addition were an
r&b influence and smooth male vocalist

Of course this got a thumbs up! So now I think it's time to move on to a song that, in my mind, is not a typical Clay Aiken song and see what music I get led to.

I chose Everything I Don't Need for my next seed. Here are the attributes that Pandora listed:
electric rock instrumentation
r & b influences
a subtle use of vocal harmony
major key tonality
electric rhythm guitars
electric pianos
prominent organ
prominent percussion

The first suggested song was Johnathan Rice, What Am I Going To Do - which had many similar qualities listed and a couple of additions:
electric rock instrumentation
a subtle use of vocal harmony
mild rhythmic syncopation
major key tonality
electric guitar riffs
prominent organ
prominent percussion

I really liked this song, knew nothing about Johnathan Rice, but bought this single from iTunes. The great thing about Pandora is that it gives you lots of information about the artist, the album and the song and you can find it with a click of a link.

Mother Hips? Singing Mother Hips? I love Pandora!!! Never heard of it but it got a thumbs up for me. And then I got Little Black Heart by Sister Hazel - another new one for me and another trip to iTunes.

See, I knew Everything I Don't Need was a departure for Clay and would be taking me on a wonderful journey on a new path in Pandora's database. This is fun! And the next song, Hangman by Freezer Door was another surprise. The elements were the same:

electric rock instrumentation
a subtle use of vocal harmony
major key tonality
prominent organ
prominent percussion

and no surprise, I really liked this song. This is a 2008 release and I have no idea where these guys have been hiding - but thank goodness for Pandora. I checked them out on Amazon and listened to the snippets from this album - liked it so much I bought the whole album from iTunes. This path I'm taking from Everything I Don't Need is getting expensive!

My next song was She Gave Good Sunflower by The Black Crowes. This added two new elements:
gospel and blues influences
And another thumbs up. And another song I've never heard or an artist I never heard of . . . Sink by Basshound. And another trip to iTunes. But unfortunately, this song isn't there and it's out of stock on Amazon. Well, I could stay all day wandering down this path . . . but I know I can always return to this radio station - so now I'm ready to try something else.

Lover All Alone. The beautiful song with lyrics by Clay Aiken and music by David Foster. Features of this song, as listed by Pandora are:
acoustic rhythm piano
acoustic sonority
use of a string ensemble
major key tonality
acoustic rhythm guitars
prominent organ
solo strings

James Taylor's Our Town, is the first song I'm presented with. The additional features presented here are:

pop rock qualities
folk influences
mild rhythmic syncopation
a good dose of acoustic guitar pickin'

A lovely song and a thumbs up for me. Next up is Have I Told You Lately That I Love You by Malachi. I love Van Morrison's version of this song and while there's nothing wrong with this version, it's nothing special so I decided to give it a thumbs down just to see what happens next. And the next song is Jason Mraz's Mr. Curiosity. What an interesting song this is. It's a little "precious" but I quite like it's intricate melody and phrasing and the piano work so it gets a thumbs up from me and another trip to iTunes.

Loudon Wainwright and Strange Weirdos are next and as I'm a fan of Loudon Wainwright - this obviously gets a thumbs up from me. What I particularly liked about this was in the features area it lists:
mellow rock instrumentation
great lyrics
mild rhythmic syncopation
acoustic rhythm piano
use of a string ensemble
major key tonality
an emotional male lead vocal performance
a prominent mandolin part
prominent organ
acoustic rhythm guitars

And in the similar songs area - one of the first songs listed is Lover All Alone by Clay Aiken. Good company!

Celine Dion was next with Miracle and even though I can appreciate the beauty of her voice - I'm not feeling this is the direction I want to take this radio station in so I choose thumbs down.

Erasure is next with Love Affair - and the additional element of an emotional male lead vocal performance. Michael Ball doing Raise Me Up is next and that's just not the direction I want to go with this journey so thumbs down for me. Indigo Girls and All That We Left In are next and I'm a big fan of theirs. This is adding a folk influence with beautiful harmonies and poetic and meaninful lyrics. I've already got this on my iPod - but it was great hearing it connected to Clay's Lover All Alone.

I'd better stop here because I'm going to run out of time and money. Interesting that the three songs I've seeded my radio stations with so far all have "major" key tonality. Check back in a few days for Part 2 of the Pandora Path: On My Way Here. I think I'll explore two of the songs that have "minor" key tonality, Where I Draw The Line and Falling and another "major" key tonality song, Ashes - just because I like it.

Do your own exploring . . . and tell me about the new music you get exposed to. Your path will be different than mine by what you choose to give a thumbs up or a thumbs down to. But isn't it wonderful to have the opportunity to discover music that is right for you without the hype? Tell me about it!

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Tuesday, May 27, 2008

The Singles Bar

I’m really curious as to how a record label selects a first single. In some situations the choice seems obvious, such as cases where a song is part of another medium such as a movie soundtrack or a television backdrop song. In other cases, what criteria is most important in this important selections? Other schools of thought are that the second single is the one to drive an album.

I ask this question because of the current choice of single for Clay Aiken’s incredible album called On My Way Here. There are so many possibilities for a single choice from that album, many which are radio friendly and which also would raise an eyebrow or two from those who associate Clay with ballads.

I guess that a single choice probably has two main goals. The first is to associate the song with the album as a whole in order to entice the purchase of the whole CD. This is obviously getting harder and harder these days when people can pluck individual songs from itunes or Amazon and make their own CD. The second goal is either choosing a song that is representative of what people like about that artist or the opposite, giving people a new look into what the artist can do.

The label’s choice for this album was the title track. At first glance, it might appear to be a good choice. The song immediately relates to the album in both name and theme since the album is representative of learning and growing in your twenties. The songwriter is Ryan Tedder who has produced hits for his own OneRepublic as well as that really repetitive, well promoted hit by Leona Lewis. And Clay sings it very, very well.

Yet, it seems to fall short as a lead single in a number of key areas. First, it’s a very long song so they had to truncate it for television appearances and so it has no time to build and the best verse is left off. When Clay has his usual high energy and fun interviews on the “couch”, the energy seems to leave the room with the slow buld up of the song. It’s also a ballad and could give the impression that the album is full of the same when that is not the situation at all. Providing the right impression that this album is not all ballads is important after the label’s choice to make Clay release an album of cover ballads in 2006. (I wonder what would have happened if he had been allowed to release this album like he wanted, after Measure of a Man.)

I’m not sure people think about the theme of an album when they hear something on the radio or TV and make that decision whether to purchase the song or the CD. Ryan Tedder wrote a nice song but how much of his success should be attributed to Timbaland (for Apologize) and the huge promotional budget for Leona Lewis. Unless you’re Elton John, do people purchase a CD because they know who wrote the song?

Clay indicated in an interview he has zero say in the choice of single. Some artists who have been around awhile seem to have some clout. Justin Timberlake was not happy with the choice of "Summer Love" for his single and while it was released anyway, he stuck to his guns and declined to make a video for it.

Clay has recorded songs on this album that would have been more radio friendly, been more sonically representative of the album as a whole and would have taken people by surprise in terms of the depths of genres that he can perform well. The biggest surprise is a funky R&B song called Everything I Don’t Need.

Get outta my dreams, there's no room left
Get outta my bed


See him groove to it here on AOL Sessions, along with four other tracks.

Another is Ashes, which can also be found in that AOL session.

I recognize that there are other factors that I am not aware of that go into a single selection. But right now, I can’t think of any beyond a tie to a movie, TV,endorsement or the Olympics that would trump the negatives of choosing a long, slow (albeit it pretty and well sung) ballad for this CD.

I wonder if asked off the record whether he really agreed with the choice.


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Friday, May 23, 2008

Clay Aiken's "On My Way Here" - Measuring The Gap Between the Critics and The Truth



Singer Clay Aiken talks with Kipper, Grammy-winning producer, while recording "On My Way Here"







I’ve been meaning to take a look at the histories of the musicians and technicians who contributed to Clay Aiken's wonderful new CD, "On My Way Here" since the credits were first available --- hey, I read movie credits, too, since I’ve been in them and I see the names of friends all of the time.

It took me two weeks, but as I Googled their names last night, I laughed --- and then I laughed harder.

The men performing with Clay in the "On My Way Here" video bear no resemblance to the Central Casting pop band in the “Invisible” video, as supplied by the director of that piece. These men have the look of people who have been around a while, and everything I could hear as I listened to the album revealed remarkable levels of musicianship. One of them, the guitarist, even looked a bit familiar to me, and I thought it was interesting that the pianist asked --- and was allowed --- to sing on the CD. I figured there was a story behind the names in the credits.

The CD reviews were so at odds with the evidence of my own ears. On song after song, supporting Clay’s extraordinary voice, interpretive skills and growing artistry, I could hear some especially fine musicianship and the same kind of top-flight production that earned Kipper and Sting a Grammy for "Brand New Day" as Best Pop Album. (The single named --- and singularly talented --- Kipper, Aiken's producer, has also worked with renowned jazz trumpeter Chris Botti, among other leading musicians.)

Kipper's interesting and innovative work is known within music circles, if not in the general public, but I was curious to learn about the artists playing in support of "On My Way Here." My tastes are eclectic, my collection is rather large and I've seen hundreds of live concerts, from pop to jazz to rock to blues to funk to soul to world beat... you get the idea. Listening to the CD, I heard inspired artistry and great professionalism, from the musicians to the engineering to the mix. But some of the reviews were odd, not criticizing Clay's peerless voice but everything that surrounded him, implying the CD wasn't worthwhile despite the evident vocal talent. That simply wasn't what I was hearing.

These are the men behind the “uninspired, stock music” --- as some of the critics would have it.

Keith Carlock – Drums

Keith has played and/or toured with Steely Dan, Sting, James Taylor, Donald Fagen, Walter Becker, Diana Ross, Faith Hill, The Blues Brothers Band, Leni Stern, David Johansen and the Harry Smiths, Richard Bona, Chris Botti, Wayne Krantz, Harry Belafonte, Oz Noy, Paula Abdul and Grover Washington, Jr, to name a few.
Keith was recently voted number 1 Pop drummer and number 3 Best All-Around in Modern Drummer's 2008 Readers Poll.


There's some interesting stuff at Keith's website and in this article from Drummer World Magazine.



Keith at the drums.














Freddie Washington – Bass:

Freddie joined Herbie Hancock’s band at age 19, and has played in sessions or on tour with Steely Dan, Michael Jackson, Al Jarreau, Aaron Neville, Lionel Richie, Anita Baker, B.B. King, Elton John, Stevie Wonder and Whitney Houston, Donald Fagen, The Crusaders, George Benson, Denise Williams, Johnny Mathis, Burt Bacharach, and Kenny Loggins.

He has a platinum record as the songwriter of Patrice Rushen’s smash hit, “Forget Me Nots.”

Here is Freddie's Bio and a great article on his work with Donald Fagen from Bass Player.



Freddie and his bass.











Jon Herington – Guitar:

Jon has played with Steely Dan for both recording and touring. Jon has also toured with Donald Fagen, Boz Scaggs, Bette Midler, Phoebe Snow, Madeleine Peyroux, saxophonist Bill Evans, the contemporary jazz superband Chroma, and jazz/blues organ great Jack McDuff.

Read Jon's Profile and his reviews at his website, and watch him featured on "My Old School" in this AOL video of Steely Dan.



Jon plays his guitar.













Jeff Young – Piano, Organ, Vocals:

Jeff has played with Steely Dan, Sting, Boz Scaggs, Jackson Browne, Shawn Colvin, Phoebe Snow, Michael McDonald, Curtis Stigers and many more. He appeared in the acclaimed Broadway musical “Gospel at Colonus.” Vonda Shepard once sang in his band, leading to Jeff being hired to play for several episodes of “Ally McBeal.”



Jeff on keyboards.














There's a connection between these four musicians.

The men on this CD are the longtime Steely Dan band, backing Donald Fagen and Walter Becker --- and not a single one of these “music critics” recognized them or their musicianship.

Fusing jazz, pop and blues, multiple Grammy-winners Steely Dan (Donald Fagen and Walter Becker) are one of the most acclaimed bands in music history. They are members of the Rock and Roll Hall of Fame.

This is the caliber of musician that Clay Aiken chose as his session men for "On My Way Here."

But assumptions are an interesting thing. Critic after critic, determined to dismiss any effort Clay put forward, wrote reviews with little or no bearing on the reality of the music on "On My Way Here" --- right down to trashing musicians they had praised in other reviews. According to multiple sources, Keith, Freddie, Jon and Jeff are considered among the best session men in the world --- unless they are playing with Clay Aiken, apparently.

And as for the “sound” of the album:

It was recorded and mixed by Nathaniel Kunkel.

Nathaniel’s work with Sheila Nicholls, The Crystal Method, Lyle Lovett, Graham Nash, James Taylor, and Sting, among others, “has earned him the reputation of being one of the foremost authorities on engineering in surround sound.

“Nathaniel’s mix work has garnered him industry acclaim and awards, including Grammy awards for his work with Lyle Lovett, B.B. King, The Trio (Emmylou Harris, Linda Ronstadt and Dolly Parton), and comedian Robin Williams; Surround Music Awards for his work with Graham Nash, James Taylor and Insane Clown Posse; and an Emmy for his recent work with Sting.”

Nathaniel is the son of drummer Russell Kunkel, a longtime James Taylor sideman.

Here's a great article on his work with David Crosby and Graham Nash from Mix Online, "the world's leading magazine for the professional recording and sound production technology industry."

Read about his Studio Without Walls, and check out the artists Nathaniel has worked with.

Finally, Cameron Craig engineered the strings.

Cameron is a Grammy-winner who has worked with Duffy, The Hours, Suzanne Vega, Amy Winehouse, Tina Turner, Joe Strummer, Garbage and Blur, among many others.

Unfortunately, musician's websites are often out of date, so there's just one mention of their work with Clay. (I suppose RCA didn't think it was worthy of note in the press release for this CD.)

So it doesn’t matter what some critics say, because they clearly don’t have a clue. I know that Clay got the best in the business to work on this album, people with experience, artistry, awards and respect within the music industry, where it really counts.

Working with Kipper as producer and Jaymes Foster as executive producer, Clay Aiken got to work with the best --- and the results are evident on "On My Way Here." It’s only fitting, because Clay is one of the best, as well.

So don't believe the critics' dismissals --- hell, don't even believe my praise.

Listen for yourself.

Listen for yourself.

If you like what you've read, please go here and DIGG it.

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Sunday, May 18, 2008

Sacrificial Love

This week marks the season finale of Dancing with the Stars. I enjoy watching the show because years ago my husband and I took dancing lessons at a Fred Astaire studio before we got married. We thought we were pretty good. We especially enjoyed the Rhumba...quick, quick, slow...quick, quick, slow. Now I realize just how elementary we were.

When Clay Aiken released his latest album called On My Way Here, I had it on constant repeat. It's easily his best work and one of the best pop albums I've heard in awhile. There are great uptempo numbers but there are a couple of ballads that immediately created a DWTS picture in my head. A rhumba to Something About Us and a beautiful waltz to Sacrificial Love. The song is heartache personified.

Someone very talented must have had the same thoughts I did about Sacrificial Love because they created this glorious waltz montage to this season's best dancers. It's expertly edited and exactly what I had envisioned. Get out of my head, will ya?

I'd love to see Clay perform on next season's show. I'd really love to see him reunite with Ruben Studdard on this season's American Idol finale but it seems the show turned him down. I'll never understand that, he's the embodiment of everything the show set out to do, before it became jaded. American singer who couldn't get a record deal so was prepared to live his life as an educator in the classroom and sing for a hobby. And now, he's a pop star, a multi-talented entertainer and an educator around the world for UNICEF. The American (Idol) dream, right? And yet, the show that bragged about finding the best new talent won't let him appear. I wish someone could explain that one to me.

But I won't ponder it for very long. I'll listen to the beautiful Sacrificial Love and then I'll put on Everything I Don't Need and listen to Clay get his funk on.




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Friday, May 09, 2008

Clay, Mo and Benihana

Clay Aiken and Mo Rocca sat down for a bite to eat and an interesting anthropology discussion about the cultural aspects of the Clay Nation. I'm not using that Claymate word because it will trigger the Knights of Ni.

The interview ended up like two guys chatting around a table. Mo was funny, Clay was witty and the laughter was contagious. Things we learned in this interview.

1. Clay can't use chopsticks and thinks that fork has three syllables
2. Mo doesn't know the that edamame are soybeans, not peas
3. Mo likes Clay's new album.
4. Clay fans are nomadic omnivores that don't sleep. We also have our "cycles" in synch. (The latter sentence sent both men into a fit of laughter.) We can use tools but not the phone.

Now, Clay travels with two female backup singers (who are fabulous) and he knows a thing or two about cycles being in synch. Witness this concert last summer in Sterling Heights, the first minute is hilarious.



I guess our new theme song is Bleeding Love.

Dear Mo, please tell Jon Stewart how funny Clay is. He's a political junkie and I think a Southern Baptist who is also a Democrat and an activist would make a great interview. Jon would find him well informed and very, very funny.

Here's Mo's blog. Make sure you don't snort out loud.

Clay Aiken and Benihana.


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Thursday, May 08, 2008

Nightline Preview Interview: Playlist


Thursday, May 8 - watch Clay Aiken on Nightline at 11:30 PM and on Friday make sure to check out www.abcnews.com to find out which songs head up Clay's playlist. And be sure to read this new interview with Clay where he shares this story
"At five years old I threw my hands up and I was like, 'OK, I'll come sing,'" Aiken said. "And they said, 'Sing whatever you want to,' and my mom said she was paranoid, petrified, that I was going to sing "Islands in the Stream" at this little Christian puppet show and embarrass her. But I think I sang something like 'Jesus Loves Me.'"
and more . . . Read the whole article Nightline Playlist: Clay Aiken and check out the video of Clay performing Ashes from his new cd On My Way Here.

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Wednesday, May 07, 2008

Clay Aiken Performs Ashes



Short but oh so sweet video - to view on the ABC Good Morning America site.

Clay Aiken Performing Ashes from his new cd On My Way Here. Don't worry - he starts singing soon after the commercial. And after the song and commercial, they put up the intro interview as well!

Wonderful to see Clay's first performance of a great pop tune.

Tuesday, May 06, 2008

Clay Aiken Album Review: Expect the Unexpected

Clay Aiken releases his new album called On My Way Here today. This CD is his fourth album and his first album of originals since the multi-platinum Measure of a Man. Clay has indicated that this CD is the story of his journey of the last five years and one where he, producer Kipper (Sting, Chris Botti) and Executive Producer, Jaymes Foster were able to hand pick the songs and the sound. And did they ever handpick some incredible ones. Lyrics full of sophistication and complexity,which is what Clay wanted. It is an audio exercise in writing our autobiography from them while we peek over his shoulder at his.

The album is full of surprises for me. The title track, On My Way Here, written by OneRepublic’s Ryan Tedder sounds semi-autobiographical for Clay, a aural complement to his book Learning to Sing. It’s a ballad full of both traditional pop sounds and orchestral instrumentation. But don’t get sucked into thinking this is going to be an album of ballads. It’s anything but.

Keep listening to the album.. The sounds, the lyrics, the unique use of his exceptional voice will surprise you. This ain’t American Idol Clay Aiken, it’s the mature, successful yet seasoned Clay Aiken, with just a little bit of cyniscm thrown in. This album has funky R&B, unexpected techno in the middle of a song that starts off slow, driving pop/rock and a jazzy love song that sounds like warm maple syrup poured over cinnamon pancakes. I’ve read “professional” reviews who call this an album of ballads and wonder if they hit the wrong button on their ipod. Or if they had written the review even before they started. It’s congitive dissonance. They expected ballad boy, they didn’t get it. They might have even sorta/kinda liked it. And they didn’t know what to make of it so the reviews become more of a review of Clay’s celebrity or Clay’s fans. Anyone who writes that this is an all ballad album with trite or schmaltzy lyrics, simply.didn’t.listen.

Thankfully, after having this album in my headphones for the last two hours, I can laugh at the ones who tried really hard to be nasty. First, there's the infamous Edna Gunderson of USAToday. A long time vocal Clay critic, it wouldn't surprise me if Edna ever accused Clay of faking his UNICEF trips on a Hollywood sound stage. Edna was a big Ruben fan and for some reason thinks that there's one more night of voting. When did you write that review, Edna? 2003?

My favorite has to be the 2 stars PEOPLE’s Chuck Arnold gave it. He called it full of schmaltzy ballads. Gee, I can’t remember the last time a techno driven pop/rock song or a funky R&B song was called schmaltzy. Once again, I put that in a pile of “didn’t even listen to the whole thing”. Here’s the letter to the editor I composed but didn’t send because it simply wasn’t worth it.

I find it very interesting that PEOPLE rated Clay Aiken's album 2 our of four stars for schmaltzy ballads when half the songs are not ballads and only one qualifies as schmaltz-like. Yet, then I remember that they also gave the studio enhanced Ashlee Simpson 3.5 stars. Must be because of the so very not schmaltzy lyrics of "Boys, boys, use your head but not that one." Clearly Chuck Arnold wasn't paying attention to Ashlee's advice.

Here's a quick song by song overview.

Ashes: A driving beat pop song that has your head bobbing from the first note until it kicks it into overdrive and you fear you will need chiropractic help. My absolute favorite track on the album.

Everything I Don’t Need: A funky R&B song written by Kipper that if played on the radio and callers were asked to guess who the singer might be, they would never guess Clay Aiken. Anyone attending a Clay concert knows he kicks serious butt when singing green eyed soul. But this is green eyed soul with a little bit of spice and a little bit of sex. You can find a live performance in this blog.

Something About Us: A love song with a soft jazz melody that's like a man rubbing his thumb across his new wife's lips before he kisses her softly. The first time I heard this song, I was the only one home with no one to slow dance with me. I even eyeballed the chihuahua but she's too short. A song fit for any romantic comedy that's still being cast right now.

Falling Another song with a pop/rock sound, perhaps a little more edgy than Ashes. Then just when you think you have this song pegged, bang comes some techno. I listened to this song for the first time with Nan and we both looked up at each other in happy surprise. As she said to me this morning, "if this isn't edgy, I don't know what is." I could see this song in an action movie, it kicks ass.

Where I Draw the Line: I didn't really like this one from the leaked snippets because it has a slight country tinge but the full version sounds a little less country. Vocally, it's great and the bridge is neat. I like this song but can't say I love it.

The Real Me: A song that is probably the most open to personal interpretation. I thought I would like this song more than I do. I actually liked the live version of it that he sang on TV earlier this week better than the recorded version. The melody drags in parts for me.

Weight of the World:: I find this song interesting in its use of different melodies within one song. The driving drum and guitar means this will be a song for 65 miles per hour. I like this song more and more with each listen.

As Long as We're Here: A song that Clay has called the "connective tissue" between him and Jaymes Foster as they both found the song separately and discussed it at meeting that resulted in the first of many album and concert collaborations. This song uses a fiddle and has a Celtic feeling. It's very interesting and once again Kipper introduces multiple melodies in one song. Vocally, it's superior but overall the song needs to grow on me. I think this is another one that will play better live in concert.

Sacrificial Love: This song will break your heart. Maybe it's a song about a rebound love, maybe it's a song about biding your time with someone who has been a long time romance that's not good, not bad...just empty. I like this song very much.

Grace of God: The activist/philanthropist is entitled to one socially conscious song and this is it. And it's a good one.

Lover All Alone: A song Clay wrote in 2006 that was the itunes bonus for his last album. Easily the most lyrically sophisticated song on the album, the song is a haunting duet of voice and cello. Listening to this without at least a lump in your throat means you are cold hearted or a pop music critic with a tin ear. Oh wait....that's redundant.

I was prepared to really like this album because it is Clay singing new music. What I wasn't prepared for was how full of surprises it is and how impressed I would be beyond the vocals, and the more I think about it, the vocals too. He does new things with his voice here that add an element of new to the familiar. While part of me knew he could do an album this good, another part of me is stunned at just how good it is. This is an exceptional album and is Grammy worthy in both vocals and production.

Visit the following places to hear clips or AOL first listen.

Amazon


WalMart with bonus track



Barnes and Noble


And don't forget that little "add to cart" button.



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